'A Death so Noble': The Jew as a Christian Martyr in Daniel Deronda
| Metadata Field | Value | Language |
|---|---|---|
| dc.contributor | Beverley Park Rilett, bdr0032@auburn.edu | en_US |
| dc.creator | Carmen Aji, Shira | |
| dc.date.accessioned | 2025-11-17T23:02:00Z | |
| dc.date.available | 2025-11-17T23:02:00Z | |
| dc.date.created | 2025 | |
| dc.identifier.uri | https://georgeeliotreview.org/items/show/1079 | en_US |
| dc.identifier.uri | https://aurora.auburn.edu/handle/11200/50730 | |
| dc.description.abstract | In her final novel, Daniel Deronda, George Eliot attempts to provide a positive and authentic representation of Jewish identity and Jewish nationalism in Victorian England. However, her characterization of Mordecai as a visionary poetic consumptive exposes the limitations of the English language as a channel for representing non-Christian identities. | en_US |
| dc.format | en_US | |
| dc.publisher | George Eliot Review Online | en_US |
| dc.relation.ispartof | George Eliot Review Online | en_US |
| dc.relation.ispartofseries | 2831-5375 | en_US |
| dc.rights | Creative Commons International 4.0 (CC BY-NC-SA) | en_US |
| dc.subject | Daniel Deronda | en_US |
| dc.title | 'A Death so Noble': The Jew as a Christian Martyr in Daniel Deronda | en_US |
| dc.type | Text | en_US |
| dc.type.genre | Journal Article, Academic Journal | en_US |
| dc.citation.volume | 56 | en_US |
| dc.citation.spage | 9 | en_US |
| dc.citation.epage | 21 | en_US |
| dc.description.peerreview | Yes | en_US |