George Eliot and the Piano
| Metadata Field | Value | Language |
|---|---|---|
| dc.contributor | Beverley Park Rilett, bdr0032@auburn.edu | en_US |
| dc.creator | Harris, Michael | |
| dc.date.accessioned | 2025-11-18T13:31:47Z | |
| dc.date.available | 2025-11-18T13:31:47Z | |
| dc.date.created | 2025 | |
| dc.identifier.uri | https://georgeeliotreview.org/items/show/1087 | en_US |
| dc.identifier.uri | https://aurora.auburn.edu/handle/11200/50737 | |
| dc.description.abstract | The most popular instrument in the homes of the Victorians was the piano and any household that could afford it would certainly possess one. Piano music was widely available, and composers from Beethoven, Schubert, Schumann, Mendelssohn to Liszt, together with scores of lesser known or even unknown names, all wrote extensively for the piano. | en_US |
| dc.format | en_US | |
| dc.publisher | George Eliot Review Online | en_US |
| dc.relation.ispartof | George Eliot Review Online | en_US |
| dc.relation.ispartofseries | 2831-5375 | en_US |
| dc.rights | Creative Commons International 4.0 (CC BY-NC-SA) | en_US |
| dc.subject | George Eliot | en_US |
| dc.subject | piano | en_US |
| dc.title | George Eliot and the Piano | en_US |
| dc.type | Text | en_US |
| dc.type.genre | Journal Article, Academic Journal | en_US |
| dc.citation.volume | 56 | en_US |
| dc.citation.spage | 111 | en_US |
| dc.citation.epage | 114 | en_US |